Book Report: Mona’s Eyes

I finished this novel/art history textbook before I left for South Carolina, but needed to find time to write it up. Mona’s Eyes is a masterpiece that will live on for many generations. Or so I think. It’s by Thomas Schlesser and was originally published in French. The translator did a superb job capturing Frenchness into English.

The plot sounds really strange when you describe it. The grandfather of a young girl who might be going blind takes her to museums in Paris to view a piece of art per week. She learns and grows. The end.

Unfolded cover

There’s more to it than that. It’s more fun to discover it for yourself. The bonus is that you get a free Art Appreciation 101 class along with your novel. It’s great. The book jacket is secretly a key to all the art discussed, so you have a reference point. I rearranged the cover many times for handy viewing.

Other side of the book jacket

Mona is a bit strange and eerily smart for her age. She also has super vision, other than that impending blindness. And the grandfather is a warm and emotionally complicated guy, too. All the characters are nicely developed and it’s fun to watch the plot unfold while simultaneously learning to analyze art from ancient times to this century.

The only caveat I have about Mona’s Eyes is that it assumes some degree of cultural literacy and a bit of understanding of French history. I had to look up a couple of references, though Schlesser does a pretty good job of working in historical context and art terminology as the action unfolds. I found the educational part really fun.

If you have some time and a place where you can focus, you’ll treasure this book like I did.

Now I understand modern art

What do you love now, that you hated when you were younger?

When I was young, I was all for art that looked pretty and looked like it was depicting something. It’s probably another one of my mother’s aesthetic choices that influenced me (she also hated tattoos, and while I don’t love them, I appreciate some of them). Mom was an artist and she had strong, if (now I realize) kind of bourgeois preferences.

She did like florals, and I’ve stuck with that, more because I love flowers than because I love still life.

When I was learning as much as I could about art, music, and literature in college, I was more fond of painting and sculpture up through Impressionism. After that, I could intellectually appreciate those Picasso shapes and angles, and the Mondrian squares, but I didn’t enjoy them. I could read about interpretations, but nothing moved me emotionally.

I can still remember the day it finally clicked. I was with a friend visiting museums in Houston in the 2000s. We went to the Menil Collection, which is housed in a modern building surrounded by a sculpture garden. First, I was so entranced by a large installation outside that I could barely go in.

I was so intrigued at how it was in the lawn. Menil Collection.

Then, as we walked around I came to be standing in front of a painting by Mondrian of white, yellow, and blue rectangles. I could see every detail, and was fascinated by its depth and warmth. This abstract piece moved me. I got how the simplified presentation could help your subconscious form its own associations. Ah.

Composition in yellow, blue, and white, Piet Mondrian, 1922, Menil Collection

So, now I’m more far ranging in my art appreciation, and that’s good at least for me. I’m not an art historian or connoisseur, so I could be making stuff up, of course. But I did enjoy the whole collection of “modern” art that day.

By the way, I’m reading a novel that’s also an art history class. I’ll review it when I’m done, but Mona’s Eyes is quite fascinating!