I was sort of sad to finish my latest relaxation read, A Girl Is a Body of Water, by Jennifer Nansubuga Makumbi, because I sure was enjoying my education in the culture, food, and clothing of Uganda. Basically, all I knew about Uganda before was Idi Amin, and he certainly isn’t something worth representing an entire culture with. Well, and I knew the Gandan people spoke Lagala there (among other languages), from when I studied linguistics. I guess that put me one step ahead of most people in my culture.

Do you have to be interested in the culture of Uganda during the 20th Century to read this book? Absolutely not, because the story is beautiful, interesting, and very captivating. You grow to love the characters as you learn more and more about them, especially Kirabo, the main character, and Nsuuta, the blind woman of mystery who is inextricably linked to Alikisa, Kirabo’s grandmother. You just want to know what’s going on with this fascinating and many-layered family!
But for me, the information about traditional Ugandan culture, how it changed with colonialism, through Amin’s reign, to more modern times, was fascinating. The book does a fantastic job of delving deep into the traditional and modern roles of women in Uganda, which parts change and which parts stay traditional. Many of the women Makumbi writes about were among the first to try to do things differently, and you might be surprised at some of the consequences and who encouraged and discouraged them. The way feminism and traditional roles came together in A Girl Is a Body of Water was really skillful.
Makumbi does a great job of introducing new Ugandan words, ideas, and concepts in the course of developing the plot, so it’s easy to learn as you go. I found it fun to try to figure out what some of the words meant, especially foods and items of clothing. I admit to looking some words up, like luwombo, which is a kind of stew-ish dish served in banana leaves. Some words, though, I waited until I could figure them out from context. That is MY idea of a good time. YOU might want to keep Google handy.

The culture stuff was really fun to learn, too, like what constituted beauty to them, how who was related to whom was calculated, who counts as “family,” and how the deal about having multiple mothers in households with more than one wife worked. It sounded like a lot of love, actually. It was fun to imagine living in a society so different from mine, with different mores and guidelines, but that made perfect sense in its context.
I’m glad I finally was able to get around to reading this book, which I’d had to put off for a while. If you are like me and enjoy learning history through the eyes of women in a culture, you will enjoy this book very much. It’s going to stick with me, and I’ll always wonder how Kirabo did after the book ended. Hey, a sequel, that would be fine with me!